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文與哲
Literature & Philosophy
26期 / 2015 / 6
中文
1.
從明人「當行本色」論說「評騭戲曲」應有之態度與方法
On the Method and Attitude of Criticizing Traditional Chinese Drama Based on the Concepts of “Danghan” and “Bense”
作者： 曾永義 Yong-i Tseng *
中文
2.
《莊子》的自然美學、氣化體驗、原初倫理：與本雅明、伯梅的跨文化對話
Zhuangzi’s Natural Aesthetics, Experience of Qi, Originative Ethics: Transcultural Dioloage with Benjamin and Bohme
作者： 賴錫三 Hsi-san Lai *
中文
3.
一種「歷史」、兩種「故事」──以兩漢的聶政傳說為例
One “History” vs. Two “Stories”: Using “Nie Zheng” the Legend Popular in Han Dynasties as an Example
作者： 劉惠萍 Hui-ping Liu *
中文
4.
杜甫歌行詩後世模擬析論──以〈觀打魚歌〉、〈又觀打魚〉為例
An Analysis of Imitations of Du Fu’s Song-styled Poetry by later generations, with particular to the ‘Fishing Observing Song’ and ‘Fishing Observing Once Again Song’
作者： 徐國能 Guo-neng Xu *
中文
5.
二程對《四書》的繼承與轉化──以「敬」為中心的考察
The Continuity and Transformation of the Four Books by Cheng’s Brother: Focus on “Respect” as the Object of Study
作者： 張莞苓 Wang-ling Chang *
中文
6.
論朱子之學術史地位與其影響
The Status of Zhu Xi’s Theory of Metaphysics and It’s Historical Impact
作者： 戴景賢 Ching-hsien Tai *
中文
7.
輯錄、考據與評論──王應麟三家《詩》學探析
The Gathering and Recording of Results of the Three Schools on the Book of Songs by Wang Ying Lin
作者： 黃忠慎 Chung-shen Huang *
中文
8.
世變下的錢澄之性情詩說──真詩、苦吟與隱秘詩史論
Qian Cheng-Zhi’s Dispositional Poetic Discourse in a Time of Political Changeover: Real Poetry, Bitter Hymns, and a Latent Shishi Discourse
作者： 曾守仁 Shou-jen Tseng *
中文
9.
聖嚴法師「以禪攝淨」的詮釋及其運用
Master Sheng Yen’s Interpretation and Use of Chan Practice to Contain Pure Land Thought
作者： 陳劍鍠 Chien-huang Chen *
中文
10.
論書法的「抒情性」及現代意義──與「文學抒情傳統」之參證
The Lyrical Quality and the Modernity of Chinese Calligraphy: a Discussion of the Relationship of Calligraphy and Research of the Lyric Tradition of Chinese Literature
作者： 陳秋宏 Chiu-hung Chen *