錢穆（1895–1990）有修訂舊稿後重新出版的習慣，其著作版本情況複雜，尤其體現於宋學相關作品。改動之處透露出他思想上的轉折，惜後人未能充分重視。是故，《錢賓四先生全集》的出版，並不代表錢穆著作「徹底整理」的完成。繼續梳理同一著作不同版本間的異文，是推進「徹底整理」的關鍵，也有助於發展錢穆研究。 本文以版本異文為基礎，勾勒錢穆宋學思想的演變過程，揭示錢穆宋學「宗主」從陽明轉為朱子的原因，以及在轉變過程中具體詮釋上的變化；深入認識錢穆清學史觀點，突破立足於漢宋門戶之爭的研究模式，更全面地理解錢穆對戴震（1724–1777）等人的評價。

Qian Mu had the habit of revising old manuscripts before republishing them, resulting in the complicated version situation of his works, as is particularly reflected in his works related to Song Xue. The revisions reveal turns in his thinking, the value of which unfortunately have not been fully appreciated. Consequently, the publication of The Complete Works of Mr. Qian Binsi does not entail the completion of the “thorough collation” of Qian Mu’s works. Continuing to sort out the variant texts between different versions of the same work is the key to promoting the “thorough collation,” as well as providing support for conducting incisive Qian Mu studies: Based on the variant texts of different versions, such an inquiry would outline the changes in Qian Mu’s thinking about Song Xue, unveil the reasons why Qian Mu’s Song Xue orientation shifted Wang Yangming to Zhu Xi, as well as the specific changes in his interpretations during the transformation process. It would also deepen our understanding of Qian Mu’s views on the history of Qing Xue, break the research model structured on the dispute between Han Xue and Song Xue, thus enabling a more comprehensive understanding of Qian Mu’s assessments of Dai Zhen and others Confucian scholars.

錢穆; 版本; 宋學; 清學; 戴震

Qian Mu; Versions; Song Xue; Qing Xue; Dai Zhen