第44期
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2026 / 5
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pp. 47 - 79
印尼卡羅族巴塔克人「倫格特恩格魯」傳統的轉型:保存「五鼓合奏」與促進棉蘭「加里斯塔傳統屋」的觀光
Transforming the Rengget Nggeluh Tradition of the Karo Batak in Indonesia: Preserving Gendang Lima Sendalanen and Promoting Tourism at Rumah Adat Garista, Medan
作者
Pulumun Peterus Ginting *
(Music Education Program, State University of Medan)
Frinawaty Lestarina Barus
(Indonesian Language and Literature Education Program, State University of Medan)
Yakobus Ndona
(Pancasila Education and Citizenship Studies Program, State University of Medan)
Lamhot Basani Sihombing
(Music Education Program, State University of Medan)
Pulumun Peterus Ginting *
Music Education Program, State University of Medan
Frinawaty Lestarina Barus
Indonesian Language and Literature Education Program, State University of Medan
Yakobus Ndona
Pancasila Education and Citizenship Studies Program, State University of Medan
Lamhot Basani Sihombing
Music Education Program, State University of Medan
中文摘要

「倫格特恩格魯」是印尼卡羅族巴塔克人融合歌曲、敘事與儀式元素的傳統聲樂器樂藝術。其核心元素「五鼓合奏」正面臨現代化浪潮與年輕世代興趣衰退的雙重威脅。本研究旨在將倫格特恩格魯傳統創意地轉型為當代表演形式,以推動棉蘭辛邦塞拉揚「加里斯塔傳統屋」的文化旅遊,同時守護其核心文化價值。研究分三階段進行:辨識倫格特恩格魯的特色、根據這些特色創作新樂曲、呈現改編後的表演形式。透過探索與分析卡羅族傳統音樂元素,本研究為倫格特恩格魯製作新樂譜,並由兒童及青少年排練演出。改編後的表演融合庫爾查皮琴、「三鼓合奏」等傳統樂器,結合青年人聲、動態編舞及精選當代元素。研究結果顯示,此轉型成功將倫格特恩格魯重新詮釋為面向文化觀光的表演形式,且沒有減弱其文化本真性。此創意改編不僅提升大眾對「五鼓合奏」的鑑賞力,更強化社區認同感,增加其作為加里斯塔傳統屋文化景點的吸引力。研究結果顯示,創意轉型能有效防止文化衰退,促進地方觀光發展,並可作為保存其他印尼表演藝術傳統的典範。

英文摘要

Rengget nggeluh is a traditional vocal and instrumental art form of the Karo Batak people in Indonesia that integrates song, narrative, and ritual elements. One of its central components, gendang lima sendalanen (five-drum ensemble), is increasingly under threat from the pressures of modernization and declining interest among younger generations. This study explores the creative transformation of rengget nggeluh into a contemporary performance format to support cultural tourism at Rumah Adat Garista, Simpang Selayang, Medan, while preserving its core cultural values. The research is conducted in three stages: identifying the characteristics of rengget nggeluh, creating a new musical composition based on these characteristics, and presenting the adapted performance form. Through exploration and analysis of traditional Karo musical elements, this study produces a new musical score for rengget nggeluh, which is rehearsed and performed by children and adolescents. The adapted performance incorporates traditional instruments, such as kulcapi and gendang telu sendalanen (three-drum ensemble), with youth vocal performance, choreographed movement, and selected contemporary elements. The findings demonstrate that this transformation recontextualizes rengget nggeluh into a cultural tourism-oriented performance without diminishing its cultural authenticity. This creative adaptation not only enhances public appreciation of gendang lima sendalanen but also strengthens community identity and increases its appeal as a cultural attraction at Rumah Adat Garista. The study concludes that creative transformation can effectively prevent the decline of cultural forms while promoting local tourism development and may serve as a model for preserving other performing arts traditions in Indonesia.

中文關鍵字

倫格特恩格魯; 五鼓合奏; 文化保存; 卡羅族巴塔克人; 加里斯塔傳統屋

英文關鍵字

rengget nggeluh; gendang lima sendalanen; cultural preservation; Karo Batak; Rumah Adat Garista