本文旨在探討張菱舲《聽，聽，那寂靜》於讀者層次造成的意識投射現象，相對應之研究方法為波蘭哲學家英伽登（Roman Witold Ingarden，1893－1970）提出的文學現象學。欲藉此縷析文本生成之意識圖景，深掘當中透過語音組合層及意義單位層構建之語義層、以再現客體層和圖式化觀相層建立之圖景層等兩個面向，解碼其詩性筆法衍生的接受效應。

This paper aims to explore the phenomenon of consciousness projection induced at the reader level in Zhang Lingling's "Listen, Listen, That Silence" employing the literary phenomenology proposed by Polish philosopher Roman Witold Ingarden (1893-1970) as the corresponding research methodology. This analysis aims to dissect the consciousness landscape generated by the text, delving into two dimensions: the semantic layer constructed through the phonetic combination layer and the meaning unit layer, and the pictorial layer established by the representation object layer and the schematic perception layer. It seeks to decode the reception effects derived from the poetic techniques employed.

張菱舲;《聽，聽，那寂靜》;英伽登;文學現象學;意向性客體

Zhang Lingling; "Listen, Listen, That Silence"; Ingarden; Literary Phenomenology; Intentional Object