日本俳壇裡存在著「文人俳句」此一分類。例如近代有永井荷風、橫光利一等文人；而戰後則可以列舉川上弘美等作家為例。然而，隨著戰後台灣俳壇研究的發展，「台北俳句會」會長的黃靈芝與其俳句也逐漸地受到關注。黃靈芝不僅歌詠俳句，同時也從事書寫小說和散文等文人行為。因此，本稿將以「文人俳句」此一視角來考察黃靈芝的俳句，藉此嘗試拓展重新解讀台灣俳句的可能性。 故首先將基於關於「文人俳句」當中對於業餘愛好的討論，重新審視「文人俳句」中的「文人性」。再者，以大正時代最具代表性的「文人俳句」，亦即芥川龍之介的俳句為研究對象進行分析。接著，以比較黃靈芝俳句中所體現出來的「文人性」，分析後進而考察台灣及日本的「文人性」的異同。旨在透過上述考察，提供台灣俳壇的「文人俳句」、抑或是具有「文人性」特質俳句的新觀點。

In the Japanese haiku world, there is a genre known as bunjin haiku. In the modern era, literary figures such as Nagai Kafū and Yokomitsu Riichi explored this form of haiku, while in the postwar period, writers like Kawakami Hiromi have also been recognized within this category. Meanwhile, as research on the postwar Taiwanese haiku scene has progressed, Huang Lingzhi has drawn increasing attention for his role in leading the Taipei Haiku Association and his work as an active haiku poet. Beyond haiku, Huang Lingzhi also engaged in various literary activities, including writing novels and essays. In this context, this paper seeks to broaden the reinterpreting for interpreting Taiwanese haiku by examining Huang Lingzhi’s work through the lens of bunjin haiku. To achieve this, the study first revisits discussions surrounding yogi (leisure pursuits) in the context of bunjin haiku and reexamines the concept of bunjinsei (literati identity) within the genre. Next, it analyzes the haiku of Akutagawa Ryunosuke, a representative figure of bunjin haiku in the Taishō era. By comparing Huang Lingzhi’s haiku with Akutagawa’s, this study explores the characteristics of bunjinsei in both Japan and Taiwan, identifying their similarities and differences. Through these considerations, this paper aims to present a perspective on bunjin haiku within the Taiwanese haiku community, as well as a broader view of haiku that embodies bunjinsei.

芥川龍之介; 黃靈芝; 文人俳句; 業餘愛好; 文人性

Akutagawa Ryunosuke; Huang Lingzhi; Bunjin Haiku; leisure pursuits (Yogi); Literati Identity (Bunjinsei)