第43期
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2025 / 11
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pp. 141 - 168
傳統與現代的橋樑:臺灣音樂館典藏的應用發展
Bridging Tradition and Modernity: The Evolution of Archival Practice at the Taiwan Music Institute
作者
耿親易 Qin-Yi Geng *
(國立臺灣師範大學音樂學系音樂學博士生 Doctoral student in Musicology at the Department of Music, National Taiwan Normal University)
耿親易 Qin-Yi Geng *
國立臺灣師範大學音樂學系音樂學博士生 Doctoral student in Musicology at the Department of Music, National Taiwan Normal University
中文摘要

臺灣音樂館以「臺灣音樂守護者」為己任,多年致力於臺灣音樂文化資產的蒐集、保存與推廣。在全球數位化浪潮影響下,臺灣音樂館加強檔案資料之應用發展,從傳統的音樂圖書館轉化為文化交流平台,成為連結傳統與現代的橋樑。同時,臺灣音樂館亦注重音樂現場經驗,透過開設常設展引領觀者與典藏品進行互動,也邀請原住民社群展現音樂作品,逐漸發展成為促進文化交流的國際化場域。本文結合訪談與實地研究,分析館藏發展脈絡與檔案應用,進而探討臺灣音樂館在傳統與現代交會中的角色。

英文摘要

The Taiwan Music Institute (TMI) is positioned as the steward of Taiwanese musical heritage, dedicated to the sustained collection, preservation, and promulgation of Taiwan’s musical cultural legacy. In response to the global digital transition, the Institute has strategically enhanced the application and accessibility of its archives, transitioning from a conventional repository model to a dynamic platform for cultural discourse that effectively bridges the traditional and the modern. Concurrently, TMI has amplified its focus on lived experience of music. Permanent exhibitions are curated to foster audience interaction with the collection, complemented by constant indigenous musical performances. This dual approach is incrementally transforming the Institute into a key locale for international cultural exchange. This article employs a mixed-methods approach, integrating interviews and on-site field observation, to critically analyze the trajectory of collection development and its practical application, thereby illuminating the evolving sociocultural role of the TMI at the intersection of tradition and modernity.

中文關鍵字

臺灣音樂館; 保存; 文化交流平台; 傳統與現代; 音樂現場經驗

英文關鍵字

Taiwan Music Institute; preservation; cultural exchange platform; tradition and modernity; lived experience of music