李卓吾是個充滿爭議性的人物，自晚明至今，在不同時代有著不同的評價與關注度。本文從接受史的角度，依據時代、學術範疇，爬梳李卓吾如何被討論，並說明這些現象與其意義。借用童慶炳對「文學經典建構」的要素，檢視不同時代的意識形態、時代的接受視野與發現人對典範建立的關鍵影響。並藉由此觀點，反省「童心說」與「性靈」、「至情」間的系譜關係，如何成為小說、戲曲領域中典範化的地位。

Li Zhuowu is a controversial figure. From the late Ming Dynasty to the present, he has received different evaluations and attention in different eras. From the perspective of reception history, this article summarizes how Li Zhuowu was discussed based on the era and academic categories, and explains these phenomena and their significance. Borrowing Tong Qingbing's elements of "literary classic construction", we examine the ideologies of different eras, the acceptance vision of the era, and discover the key influence of people on the establishment of paradigms. And from this point of view, we reflect on how the genealogical relationship between "childlike innocence", "spirituality" and "emotion" has become a paradigm in the fields of novels and dramas.

李卓吾;童心說;典範化;接受史

Li Zhuowu; the theory of Childlike Heart; canonization; Acceptance history