本文以琉球三隆宮 2021 年辛丑正科迎王平安祭典的王府為主體，以內司主導的祭祀為研究對象，理解祭典期間，接待代天巡狩的「王府」，其建構與祭祀過程。內司為祭典過程王府禮儀人員的稱呼，祭典前負責布置三隆宮廟宇空間成為王府，並主導王府的祭祀流程。程序源自東港王府學習東港的祀王科儀、融入琉球當地的祭祀習慣，隨時間發展而逐漸完備。

本文著重於與空間相關的兩部分，其一為王府空間的建構，利用現有三隆宮廟體空間進行劃分與布置，轉換空間的主權，建構非日常的王府空間；其二為王府禮儀，即籌備期與祭典期間由內司進行的空間行為，包含籌備期、繞境期間的相關禮儀以及送王前的宴王。可以發現流程雖承襲自東港，但配合在地的祭祀習慣已發展出屬於自己的理解，其流程及供品反映島上的特殊習俗與空間概念；王府空間配置則具有強烈的封閉性，配合茹素行為彰顯祭典期間非日常的神聖性，中央與四方的島嶼整體空間概念以及順時針的路徑盡可能的在禮儀的過程不斷再現；再者，神人互動關係密切，除了反映在王府的建構過程與祭典重要階段，也影響禮儀與程序的執行，繞境辦案表現了琉球人對代天巡狩的想像，也透過這種神人互動達到島嶼領域的安定，並重新建構島上的秩序。

This study focuses on the Lord’s Palace about the Wangye Worshipping Ceremony of Ryukyu Sanlong Temple at 2021, the main object of observation is the ritual led by Naisi, about the construction and ritual process of the "Lord’s Palace" that received "Daitian Xunshou" during the Ceremony. Neisi is the title of the ceremonial staff of the Lord’s Palace during the ceremony, transform the temple space of Sanlong Temple into the Lord’s Palace by setting up the environment before the ceremony, Neisi also presides over related ritual procedures. Learning the sacrificial rituals from Donggang and adding the customs of Ryukyu finally became the current ceremony model.

This study focuses on two parts related to the space. First is the construction of the space, using the existing Sanlong Temple space by distribution and layout, transforming the sovereignty of space, and constructing non-daily palace space. The second is etiquette, meaning the spatial behavior performed by the internal secretary during the preparation period and the ceremony, including the related etiquette during the preparation period and the ceremony, and the final banquet for the Lord. We found that although the process is inherited from Donggang, it has developed its own understanding of local sacrificial practices, reflecting the special customs and spatial concepts of the island from the process and offerings. The spatial configuration has a strong closeness, coupled with vegetarian behavior, highlighting the non-daily sanctity of the ritual period, and the five directions and clockwise path are constantly reproduced in the ritual process as much as possible. Moreover, the close interaction between gods and humans is reflected not only in the construction process of the royal palace and the important stage of sacrificial ceremonies but also in the implementation of etiquette and procedures. God solving problems for believers reflects the imagination of the Ryukyu people about the Daitian Xunshoun, and through this interaction between God and believers, the stability effect in the island area is achieved.

琉球迎王;東港迎王;王府禮儀;內司;代天巡狩

Wangye Worshipping Ceremony of Ryukyu; Wangye Worshipping Ceremony of Donggang; Etiquette of the Lord’s Palace; Naisi; Daitian Xunshou