本文以《聯合報》「家庭副刊」上近20 餘年間，讀者親身述說家庭烹飪 和共餐時光的故事為案例，探索媒體中介的自我敘事在文化共享腳本生產中 所扮演的角色。這些敘事宛若常民證言，述說體現理想腳本時所獲取的快樂 和成就，藉以證成個人正面情感與信念價值。長期常態的證言複述，鞏固盛 行於此敘事者／閱聽人社群中的主導性腳本。其中，女性家務勞動的甜蜜幸 福感普受歡慶，加深此一情感的陰性化；順服父權體系的性別腳本雖仍殘存， 肯定男性廚房勞動的新興腳本已然冒現。經由此類自我敘事迴路所生產的腳 本，可能與媒體中傳統文類所生產的腳本共勢協力，亦可能因訴諸同儕聆聽 而非菁英指導的生產模式，超越傳統文類中的意識型態框架。

Exploring how self-narrative as media text may take part in creating a culturally shared script, this paper presents a case study of the reader-contributed personal stories concerning cooking and dining on the family page of United Daily News in the past 20-odd years. These self-narratives, as argued, appear as ordinary people’s testimonies of personal happiness and achievements derived from embodying certain ideal scripts. In doing so, they validate the narrators’ affects, values and beliefs. Dominant scripts shared by the narrator-audience community are solidified with similar testimonies reiterated regularly and continually. Among them, women’s contribution to the family is celebrated, and the ‘feeling of bliss’ is feminized. Emergent scripts recognizing men’s domestic responsibilities arise, while residual patriarchal scripts persist. Scripts produced in a circuit of self-narration may collaborate with those produced in traditional media genres. However, by appealing to empathy and understanding among peers instead of top-down guidance by elites, the former may go beyond the ideological frames of the latter.

自我敘事;性別;家務勞動;情感;腳本

self-narrative; gender; housework; affect; script