從文學創作上詩賦合流的面向加以觀照，則從初盛唐詩以來並未終歇，初唐四傑、李白、杜甫皆爲其間重要代表例證，至於中唐以下，隨著進士科考之風日盛，詩賦更儼然成重要入仕關鍵。因此詩賦合流現象，不僅並未隨著唐詩創作之風日盛而告退，反之，一方面辭賦仍然持續其一貫的文學動能，或隱或顯地牽動著唐詩的創作；另一方面唐詩又復牽動了唐賦的創作，其中著名詩人白居易正是重要代表例證。而本論文即在此一唐代文學背景下，試圖以白居易詩賦並結合中唐賞牡丹史事而撰寫的詩賦作品為中心，探討唐代詩賦合流及其文類分際的文學現象，庶幾或可彌補以往此一論述之不足。

Viewing from the dimension of the combination of poetry and the ode in literary creation, it is never ceasing from the period in which T'ang poetry begins to flourish. Li Pai and Tu Fu, two of "the Four Outstanding Poets in the Early T'ang Dynasty," are the important representatives in this period. After the middle of T'ang Dynasty, poetry and the ode almost become a must for the T'ang people to be officials. Therefore, the combination of poetry and the ode never cease with the flourishing of T'ang poetry writing. On the contrary, on one hand, the ode still maintains its own literary motion and overtly or obscurely affects T'ang poetry writing; on the other hand, T'ang poetry also influences T'ang odes writing and the famous poet Pai Chu-yi is exactly the important representative. This paper, under the background of the T'ang Dynasty literature, attempts to focus on Pai Chu-yi's poetry and odes combining the works written on the peony admiring, a historical event in middle T'ang Dynasty. In addition, it discusses the literary phenomenon of the combination of poetry and the ode as well as the classification of these two genres. This might make up for the insufficient part of the discourse.

唐詩;唐賦;白居易;文類;花木

T'ang poetry;T'ang odes;Pai Chu-yi;Genre;Flowers and trees