譬喻修辭就是一種經過譬喻格修飾的意象，本論文以現代詩文為範圍，針對此進行討論，試圖論述意象的承繼與創新，並抉發出各自的特色。具體做法為鎖定譬喻中「喻體」，由以典故為喻體者見出意象的承繼，由以現代知識為喻體者見出意象的創新；並探討出前者是因文化積澱而讓本體與喻體連結起來，因此具有聯繫歷史、涵泳不盡，以及重鑄新詞、溝通古今的優點，後者則是因自然特質的類似而聯繫起本體、喻體，由此可以彰顯相似聯想能力的活躍，讓主客之間交融無間，而且藉著喻體的陌生化達成意象的陌生化，使此譬喻修辭具有新異的美感。

The metaphorical rhetoric refers to the image modified by metaphor. In this article, I discuss metaphors applied in neo-poetry, and identify the succession and innovation of images. To highlight the characteristics of metaphors, I focus on the “metaphorical objects”. That is, those become metaphorical objects by allusions denote the succession of images. And those from modern knowledges denote the innovation. The succession of images connects the subject and the metaphorical object that results from cultural accumulation. Therefore, it is able to bridge the context of history, to emerge infinite meanings, to re-coin new expressions, and to communicate the present with the past. The innovation of images, on the other hand, connects the subject with the metaphorical object by the similarity of attributes. It highlights the association of similarity, and intergrates the subject with the object. The image becomes alien since the metaphorical object is alien, which creates an exotic sense of beauty.

意象; 譬喻; 典故; 新詩; 現代散文

The Western Chou; The Sui Gong xu; The Book of History; One of the Thirteen classics