5期
/
2004 / 12
/
pp. 325 - 341
《原詩》創作思維論發微
A Study of the Thoughts of Creative Writings in Yuan-Shih
作者
廖宏昌 Hung-chang Liao *
(國立中山大學中文系副教授 Associate Professor, Department of Chinese Literature, National Sun Yat-sen University)
廖宏昌 Hung-chang Liao *
國立中山大學中文系副教授 Associate Professor, Department of Chinese Literature, National Sun Yat-sen University
中文摘要

文學創作主要用「形象思維」。形象思維既是分析、概括生活真實本質規律的理性認識過程,同時也是提煉、改造感性材料的藝術創作過程。葉燮《原詩》,承襲吾國傳統文論的菁華,對此問題有極具體確的論述,本文旨在疏通其觀點,以闡發其精微之立論,共分五節:壹、前言;貳、創作思維的規律;參、創作思維的特徵;肆、創作思維的論證;伍、結語。

英文摘要

The major means of literary creation is imagery thinking. The imagery is not only a process of analysis but also a process of knowing life. In addition, it is a process of artistic creation. Yeh Hsieh’s Yuna-shin is a heritage of Chinese literary theory. In this book, it gives a detailed analysis on this issue. This article contains fives sections: 1.preface, 2.the rules of creative thinking, 3.characteristics of creative thinking, 4.theories of creative thinking, 5.conclusion

中文關鍵字

葉燮; 原詩; 清詩話; 創作思維

英文關鍵字

Taiwan colonization literature; Self-identity; Ideology; Nationalism