本文主要以美學中審美之角度探討馮夢龍纂評之時調民歌所具有之審美意趣。在審美過程中，審美情趣受諸多因素影響，如審美感受、審美需要、審美欲望、審美能力、審美理想等。對應於明代市井小民之喜愛喜聞現象，明代文人及馮氏本人之種種評論，配合明代特有之審美風潮與思潮，以探討馮夢龍纂評之時調民歌所具有之審美意趣。所得之要點有：情與真、意與象、俚與俗、諧與隱。

The main purpose of this article is to discuss the contemporary folk songs composed by Mong-Long Feng from aesthetic perspectives. Aesthetic is influenced by various factors, such as feeling, demand, desire, capability, and ideology. In comparing and contrasting the preferences of general civilians as well as clerisy and Feng’s comments regarding aesthetic in Ming Dynasty and in conjunction with the particular wave of aesthetic, feng’s aesthetic attachment in composing contemporary folk songs was discussed. The conclusions are proposed as the following: love and faithfulness, meaning and image, argotic and slang, assonance and tacitness.

馮夢龍; 時調民歌; 掛枝兒; 山歌; 審美意趣

Yeh Hsieh; Yuna-hsin; Hsin-huang of Ch'ing; Creative thinking