本文係會通清代「論詞絕句」涉及溫庭筠其人其詞之評論，分四大主題予以析論：（一）溫李齊㈴，各㈲專擅；即在強調李商隱擅長詩，溫庭筠擅長詞，各能用其所長也。（二）太白詞祖，溫能繼之；即視李白為「百代詞曲之祖」，而溫庭筠堪稱繼其流風。（三）溫詞流麗，足啟來茲；即強調後世婉麗之詞風，均受溫詞之影響，填詞鼎盛之兩宋，亦不例外。（四）溫詞託興，上承屈騷；即視溫詞非泛寫麗情，兼亦將身世遭遇「打并」入詞，足以上承屈原〈離騷〉之作，而此尤為常州詞派所強調也。至於溫庭筠作品，最見提及者，厥為〈更漏子〉（玉鑪香）下片，以及〈菩薩蠻〉十四闋組詞，溫詞受關注之焦點，亦可知矣！

This article achieved mastery through a comprehensive study on “Lun Tzu cut-shorts”, especially on the remarks of Wen Ting-yun and his lyrics. There were four themes in this article. First, Wen Ting-yun and Li Shang-yin were equally famous, but they had different specialty. Though Li Shang-yin was good at long poems, whereas Wen Ting-yun was good at long lyrics; they gave full play to their professional knowledge. Second, Li Pai was regarded as the first ancestor of lyrics and “Chu” among those dynasties; fortunately, Wen Ting-yun could carry on Li Pai‘s style. Third, the style of Wen Ting-yun’s lyrics was magnificent, so were the styles of the later generations’ lyrics. Therefore, his influence was overwhelming, including the Sung dynasties, in which writing lyrics was in period of great prosperity. Fourth, Wen Ting-yun inherited Chu Yuan’s “Li Sao” and found sustenance in an exalted, poetic mood. He didn’t only generally express gorgeous feelings in his lyrics but also infused his encounter. This special style was the emphasis of Chang Chou Tzu group. The frequent-mentioned works of Wen Ting-yun’s lyrics were the fourteen combination lyrics and the second part of “Keng Lou Tzu” in which the first few words were “Yu Lu Hsiang,” that were the focus of Wen Ting-yun’s lyrics.

清代;論詞絕句;溫庭筠

Ching dynasty; Lun Tzu cut-shorts; Wen Ting-yun