宋人面對「菁華極盛，體制大備」之唐詩典範，因應之道，在以學唐為手段，以通變為策略，盡心於「破體」，致力於「出位」，從事「會通化成」，講究「意新語工」，追求新變自得，期許自成一家。凡此，多與讀書萬卷，學問精博相互為用。宋人整理雕印杜甫、李白、韓愈、白居易、李商隱等唐代詩文集，以及陶淵明集，作為典範之觀摩與學唐變唐之觸媒；加上寫本藏本之流通，圖書信息之豐富多元，於是宋人從閱讀、接受、飽參，進而宗法、新變、自得，將傳承優長與開拓本色畢成功於一役。印刷傳媒之崛起，圖書流通之便捷，對於宋詩特色之生成，自有推波助瀾之效應。推而廣之，對於南宋以來張戒、嚴羽所斥「奇特解會」，明清宗唐詩話所譏「非詩」習氣，以及一切「唐宋詩之爭」課題；錢鍾書所提「詩分唐宋」說，乃至於日本內藤湖南所倡「唐宋變革」說，陳寅恪、傅樂成所謂宋型文化、文化造極云云，多可從宋代之雕版印刷切入，作為詮釋解讀之試金石。

The writers of Song dynasty face to the paragon situation from Tang dynasty. The development of Tang poetry is already replete and essential. The poet of Song dynasty must have to learn the ways from Tang poetry. And they try to change the approach or the meaning, to turn into tactics is conscientious to “Po-Ti” (genre-hybrid technique), devoted to“Chu-Wei” (interdisciplinary technique), engaged in ' can Tonghua become ', so that they are aspiring for the newly accomplishment. They always except themselves can be distinctive. All this, much and study ten thousand, knowledge is precise and rich in order to use each other. People Song put in order and carve and print such poem collected works of the Tang Dynasty as Tu Fu, Li Bai, Han Yu, Bai Ju-yi, Li Shangying,etc., and Tao Yuan-Ming's collection, as viewing and emulate and learning the catalyst turned into Tang in Tang of the model; In addition, write this Tibet circulation of copy, abundant pluralism, books of information, then from read, accept, not full to join people Song, and then Zong Fa, becomes, contented newlying, will pass on and finish being successful in a battle with opening up the true quality excellent and long. Print emergence of media, whom books circulate convenient, as to Song poem characteristic formulation, own effect that adds fuel to the flames. In the same way, as to piece give up, tight feather upbraid ' peculiar to can solve ' since the the Southern Song Dynasty, the custom, and all ' the battle of the poem of Tang and Song Dynasty ' subjects that Tang poetry laughed at ' not a poem ' of Ming and Qing Dynasties; Quia Zhong-shu’s proposal of “Tang and Song poetic demarcation,” and even Naitoo Konan’s “Tang and Song revolution theory,”in Japan, even Cheng Yin-ke and Fu Yue-cheng’s “Song-style culture” can be interpreted from the perspectives of printing technique.

印刷傳媒;宋詩典範;學古通變;新變自得;唐詩別集總集

Printing media; Song poem model; imitation of the Ancient Writes and change Becoming the newly accomplishment; Individual Anthologies and collections about Tang poetry