「意」與「象」兩者，能由互動而形成「一意多象」與「一象多意」之兩大類型。本文即著眼於此，不但探討相關理論，以見其哲學意涵或心理基礎；且凸出「一意多象」與「一象多意」兩種類型為範圍，針對其辭章表現，依序舉「離別意象」與「梅花意象」為例，略作說明；並進而試以「虛實與映襯」、「多樣與統一」兩層面為之作美學詮釋，以見「意」與「象」互動之密切關係及其藝術效果。

Concept and Form develop image in two categories by means of interaction; namely, “one concept with multiple forms” and “one form with multiple concepts”. This article explores the interaction between concept and form based on philosophical implications and psychological backgrounds. Exampled by “the image of departure” and “the image of plum blossom” in many Chinese literary works, this article illustrates the aesthetic of writings. Further, this article discusses writing skills such as reality/fantasy and reflection, diversity and unity to demonstrate the close relation of concept and form as well as its artistic effect.

意象互動; 一意多象; 一象多意; 虛實與映襯; 多樣與統一

The interaction between concept and form; One concept with multiple forms; One form with multiple concepts; Reality/fantasy and reflection; Diversity and unity