日本江戶時代學者河野通清研究《韻鏡》的方式非常獨特，力圖建構一個超越《韻鏡》本體文本範圍的「廣義《韻鏡》學」理論。他以《韻鏡》本體文本「發明」為出發點，延伸到了明末《韻法直橫圖》上，已經初步具有了「漢吳華」三音觀念，為後來文雄《磨光韻鏡》「漢吳華」三音「漢字音史」理論體系的建構奠定了堅實的基礎。文雄「廣義《韻鏡》學」後來者居上，理論體系更為成熟，只是目前《韻鏡》學界還沒有關注到這一歷史事實。本文力圖從河野通清著作文本發掘做起，將河野通清「廣義《韻鏡》學」理論內涵的實質加以闡明，並充分揭示其在《韻鏡》學史上之創造性意義。

　　Japanese scholar Kono Mitikiyo’s method of studying Yunjing is very unique. He tried to construct a generalized Yunjing theory beyond the scope of the original text of Yunjing. Starting from the ontology text “Invention” of Yunjing, he extended it to Yunfa Zhiheng Tu, which was designed at the end of the Ming Dynasty. This revealed the concept of “Kan’on, Go’on and Ka’on”, which laid a solid foundation for the construction of the theory of “Kan’on, Go’on and Ka’on” and “the history of Chinese characters’ pronunciation” in Mon’nō’s Makō Inkyō. Mon’nō’s theoretical system of “Generalized Yunjing theory” is more mature, but to date, scholars have not paid attention to this historical fact. This paper attempts to start from an excavation of Kono Mitikiyo’s works, to clarify the essence of the theoretical connotations of Kono Mitikiyo’s “Generalized Yunjing theory”, and to fully reveal its creative significance in the history of Yunjing theory.

日本江戶時代; 河野通清; 文雄; 廣義《韻鏡》學; 理論意識

Edo period of Japan; Kono Mitikiyo; Mon’nō’s; Generalized Yunjing theory; theoretical consciousness