15期
/
2009 / 12
/
pp. 1 - 32
論意象之統合──以辭章之主題與風格為範圍作探討
The Integration of Images ──Exploration of Motif and Style in Literary Works
作者
陳滿銘 Man-ming Chen *
(臺灣師範大學國文系退休教授 Professor, Department of Chinese Literature, National Taiwan Normal University)
陳滿銘 Man-ming Chen *
臺灣師範大學國文系退休教授 Professor, Department of Chinese Literature, National Taiwan Normal University
中文摘要

「思維」是人類一切知行活動之原動力,而「思維」又始終以「意象」為內 容,所以「意象」可以通貫「思維」之各個層面,以形成「意象(思維)系統」。 而此系統,由於直接與「語文能力」的開展息息相關,而辭章中關於「決定主題 (主旨)」與「確立風格」之「能力」,就與「意象(思維)系統」中之「意象的 統合」密不可分。因此,由「思維(意象)系統」來能辨明辭章「意象的統合」(主 題﹝主旨﹞與風格),是最為完善而直接的。

英文摘要

Thinking is the impetus of knowing and doing. The subject matter of thinking is composed of images. That is, it is image that links up all aspects of thinking and constitutes an “image (thinking) system”. This system is closely related to language ability. In terms of literary works, the integration of images would determine the “theme” (motif) and “style”. Therefore, the most appropriate and direct way to identity the integration of images in a literary work is by means of its “thinking (image) system”.

中文關鍵字

意象統合;意象(思維)系統;語文能力;辭章;主題與風格

英文關鍵字

integration of images;image (thinking) system;language ability;literary works;motif and style