本文乃主要針對《洛陽伽藍記》全書賦化書寫脈絡的掌握，並具體而微地由（一）全書正文與作者自序的整合性對讀。（二）首卷洛陽伽藍書寫的賦化典範。（三）全書諸卷此起彼落的賦化軌跡及其脈動。（四）楊衒之之引錄〈庭山賦〉為註的書寫意蘊等諸多側面，考察《洛陽伽藍記》的賦化取向及其世變圖像，從而映現此書其他別具的賦學身影，庶幾可為目前有關《洛陽伽藍記》的研究成果提供另一扇可能的觀照視窗。

In the light of Luoyang jialan ji, this paper seizes the writing skeleton of the tendency of Fu within it. The paper preliminarily launches to discuss the tendency of Fu and its reflection in Luoyang jialan ji, miniaturing from certain aspects: （1） Integrating cross-examination between the text of Luoyang jialan ji and the author’s preface （2） Paradigm of tendency of Fu in the first Volume.（3） Tendency of Fu varying through each Volume and its development. （4） Meaning of writing annotation, which was extracted from Ting Shan Fu, by Yang Xuzanzhi. The paper provides further researches with a brand-new point of view.

《洛陽伽藍記》;辭賦;京都;世變;佛寺

Luoyang jialan ji; Fu; capital; Turbulent World; Buddhist Temples