上京書寫是元詩中最重要的主題之一，《灤京雜詠》被稱為元代最後的上京紀行詩，但其書寫方式卻非常見的現地紀行，而是在旅行結束後的許多年，作者楊允孚聽聞上京城已徹底壞毀於戰火，於是在回憶中重構那座已經永遠消逝的草原都城。本文將以文化地理學做為主要參考架構，探析作為文學文本的《灤京雜詠》究竟用什麼方式來重構上京？而通過「回憶」這種特殊的觀看視角，《灤京雜詠》所再現的上京，又會與其他元代詩人所書寫的上京，有什麼差異呢？希冀藉由此一討論，深化目前上京紀行詩研究的層面與論述。

Shangdu travelling poetry is an important subject continuously appearing in the Yuan poetry. Although Luanjing Zayong classified as a Shangdu travelling poetry, which described wonders and unique of the exotic land, the writing technique is not as usual as recording in place. It is a few years after the end of the travelling, restructure the vanish city from the memories This thesis will discuss what scenes and people affairs were chosen from Luanjing Zayong. It will also discuss, by using those memory fragments, what kind of Shangdu city reconstruct from Luanjing Zayong. Compare to other Shangdu poetry writings using recording in place, will some of the details been forgotten from this special "Memories" recording technique of Luanjing Zayong? Is there any kind of changes caused from these forgotten details? It is believed, from those discussions above, the current theme subjects would be able to advance in Shangdu travelling poetry at another level.

元詩;上京紀行詩;灤京雜詠;空間書寫;文化地理學

the Yuan poetry; Shangdu traveling poetry; Luanjing zayong; Spatial writing; Cultural Geography