本文以唐代〈江南〉諸曲作為研究文本，首先探討「由南音到華夏正音的〈江南〉諸曲」，闡述樂府詩流傳與政權的密切關係。接著探討「從民間謠謳到文人創作的轉化與記憶」，分別從〈江南〉諸曲的起源與轉化、江南民間生活的記憶、南方都會風華的崛起三個面向加以說明，除了掌握〈江南〉諸曲的形制外，主要在映現江南的區域特性與由農到商的生活型態轉變。最後探討「唐代〈江南〉諸曲的書寫特質」，從「由農到商的物候感知」、「商旅導向的閨情書寫」、「依違仙情與世情的閨情」三個視角切入，藉由「物候感知」與「閨情書寫」兩大主題，可見其不同於傳統的各種風貌，有助於尋繹出唐代詩歌主流書寫以外的更多面向。

The essay aimed at the studies of “Jiang Nan” poems in Tang Dynasty. First, it illustrates the spreading of Yuefu poems and its relation to the regime. Second, it declares the transformation and memory of Jiang Nan poems from the ballad to the creative writing of literati and elaborates in three aspects: the origin and transformation of “Jiang Nan” poems, the memory of civil life and the rise of metropolis grace in the South. Therefore, it not only captures the form of “Jiang Nan” poems, but also reveals the regional characteristics and the change of lifestyle from agriculture to business of the South. Finally, it studies the writing characteristic of “Jiang Nan” poems, and explores in three aspects: the phenological perception from agriculture to business, the feminine-love writing of the business travel, and the feminine-love writing between fairyland and mortals. From the two main categories of “Phenological perception” and “Feminine-love writing”, we can tell that there are different styles from the tradition, and it does help us to find more aspects beyond the mainstream writing in Tang poetry.

唐代;樂府詩;江南;物候感知;閨情書寫

Tang dynasty; Yuefu poem; Jiang Nan; Phenological perception; femininelove writing