全文分別從唐代閩宦與閩人北宦的不同視域、唐詩中關涉閩地去來的多重記憶、邊陲視域中的黎元／家園與詩歌四個面向加以探究，特別是閩人北宦與避胡入閩的不同記憶，以及閩人北宦與仕閩者交互映現的閩地書寫，由充滿對「異方」的疏離感，到彼此相激相成、共同騰驤，對閩人自我定位之啟發。而閩地詩人的邊陲視野，映現在邊陲戰爭中浮現的黎元、在荒服中營建的家園風景、以耕讀形塑的詩意家園三方面，從人民生存權的角度，分別開拓出「一將功成萬骨枯」的黎元視角，鐫刻成「可憐無定河邊骨，猶是春閨夢裏人」的最深邃歷史印記，更以珍惜自然資源而使海山險阻成為大塊風景，以躬耕讀詩書打造一個自足家園，成為爭王圖霸的中原紛擾之外的詩意生活空間。

The essay would focus on four dimensions. First, it area illustrates the different perspectives between officials work in Min and also Min people work in the capital city during Tang dynasty. Second, it elaborates the complicated memory of Tang poetry associated with the coming and going in Min area. Lastly, it illuminates the people/homeland and the poetry in the perspectives of the frontier. Above all, it emphasized on the different memory in Min people who work in the north, and also the people who move to Min area in order to escape from the barbarian. These two kinds of writers not only confront but also integrate with each other, and these inspire to create Min people’s self identity.As for horizon of the frontier in Min poetry, it displays in three dimensions. First, the people live in the wartime frontier, which is from the struggle for existence to exhibit the perspective of the common people. Second, the homeland built in the remote place, which is constructed from protecting natural resource into a magnificent landscape. In the meantime, it creates a poetic space by reading, being self-contained by farming and in the end becomes a unique space away from the chaos in the capital of the country.

閩詩;荒服;邊陲視域;黎元;家園

Min Poetry;Backcountry;Horizon of the frontier;Common People;Homeland