臺灣因為早期的徵兵制，促使大部分的男性都經歷過當兵階段，因此造就 軍中文化與社會文化之間的連結，而這些連結亦有來自軍歌傳唱過程中所刻劃的 軍旅歲月。政府遷臺初期，國軍軍歌多承襲大陸時期的歌曲，有鑑於此，國防部 於1962年成立軍歌創作小組，責成政工幹校音樂系主任戴逸青負責籌劃及徵召人 才。其師資除戴逸青外，尚有蕭而化、張錦鴻擔任顧問與指導，小組成員包含左 宏元、黃瑩、李健等7人，以嚴謹的創作流程，型塑一首首在聲韻學、歌詞意境 都甚講究的軍歌。此前國軍軍歌的來源多為徵稿、競賽，而成立創作團隊的作法 則是首次，當時小組產出的軍歌受到時局、戒嚴社會的影響，歌詞因而明顯體現 當時的國軍使命與信念，也透析出那個年代的國家氛圍。 本文透過檔案探勘、歷史文獻研析的手法，以及對小組成員訪談的口述歷 史，希望就這個軍歌創作歷程中的特別階段進行研究與分析。軍歌小組作為國軍 音樂史上第一個專門創作軍歌的編組，本研究除了體現這個小組的成員及其作 品對整個臺灣音樂意象的涉入與影響外，也指出那些作品建構了軍歌創作的奠基 期，進而透過那個曾經「好男兒要當兵」的共同記憶與符號，反思現今軍中音樂 發展的概況。

Due to Taiwan’s early conscription system, a majority of males have experienced military service, fostering cultural connections between the military and the society at large. These connections also stem from the depiction of military life by singing and transmitting military songs. In the early days of the government’s relocation to Taiwan, many of the national military songs were adapted from those of the mainland era. Recognizing the need for songs that fitted the new situation, the Ministry of National Defense established the “Military Song Composition Group” in 1962, appointing Tai Yi-ching , head of the music department at the Ministry’s Training School for Cadres of Political Work (now Fu Hsing Kang College), to oversee the planning and recruitment of talents for this task. In addition to Tai Yi-ching , the group also included advisers and instructors such as Hsiao Erh-hua and Chang Chin-hung. The group consisted of seven members, who meticulously crafted sophisticated military songs through a rigorous creative process. In the past, national military songs were often originated from solicited contributions or contest submissions. Forming an official composition group was a novel initiative at the time. The songs produced by the group were significantly influenced by the political situation of a nation under martial law, with their lyrics clearly reflecting the missions and beliefs of the national military at that time, as well as the atmosphere of that era. This study utilizes techniques such as archival search, analysis of historical documents, and oral history based on interviews with members of the composition group. Its aim is to investigate and illuminate this unique period in the history of military songs. The study not only highlights the involvement and influence of the group members and their work on the entire musical landscape in Taiwan, but also suggests that their work represented the“classical period” of military song composition. Additionally, it reflects on the current state of development in Taiwan’s military music as it recalls the shared memory and symbols of a time when “real men serve in the military. ”

軍歌創作小組; 政工幹校; 復興崗; 音樂符號

Military Song Composition Group; Training School for the Cadres of Political Warfare; Fu Hsing Kang; musical symbols