1970年代末起，臺灣的文化政策從消極轉積極，亦使民間在地文化從被遺忘到再喚醒。在此之前，臺灣地方紋理在以中國為主體之國族文化論述下，並不受到國家之重視，那麼，國家何以開始將政策目光轉移到臺灣的在地文化上？本研究以戰後到1990年代的文化政策發展為主軸，聚焦於國家對臺灣在地文化從遺忘到喚醒的過程，以及政策背後反映之國家文化論述。而後以臺中市民俗公園為個案，探討這座誕生於臺灣文化政策轉型期之仿古民俗園區所呈現之樣貌為何？又如何在國家文化論述的轉換間被形塑與再詮釋？

Since the late 1970s, Taiwan's government actively implemented cultural policies and focused on Folk Culture. Before this, Taiwan's Folk Culture was not valued by the government under the Chinese Nationalism; however, why did the government start to focus on Folk Culture? The thesis focuses on Folk Culture policies from the post-WWII to the 1990s, and discusses the relationship between the policies and Nationalism. Also, taking Taichung Folklore Park as a case to explore the representation of Folk Culture; furthermore, how it is reinterpreted with the development of Nationalism in Taiwan.

民俗文化; 民俗主題園區; 戰後臺灣文化政策; 國族主義

Folk Culture; Folk Cultural Park; Taiwan's Cultural Policy in Post-WWII; Nationalism