白翎雀藝術母題盛行於元代，其盛衰不但與蒙元王朝緊密連結，且同時涵蓋詩歌、音樂與繪畫三種不同的藝術形式。在元詩中以白翎雀為題材的作品數量眾多，其中有詠白翎雀者、有記白翎雀曲的，亦有白翎雀圖的題跋，三者一起豐富了白翎雀書寫的內涵，無論就數量、還是時代意義而言，這都是元代文學極具特色且值得探析的部分。本文即以此為焦點，關注白翎雀藝術母題究竟如何崛起？在詠物詩、題畫詩與音樂詩中，詩人們各自發展了何種白翎雀想像？而這些詩歌作品是否足以形成獨特的、可以識別的白翎雀文學傳統？透過上述問題的思索與辨析，希冀能更深刻的呈現白翎雀書寫的特色與意義。

The artistic motif of the Mongolian lark was most prevalent during Yuan Dynasty, it not only closely linked with the rise and fall of Mongol Yuan dynasty, among which, three different art forms, such as, poetry, music and painting are the most prominent. Numerous works have Mongolian lark as their theme, including poetry centered around the Mongolian lark, odes to the Mongolian lark, and the postscript of painting on the Mongolian lark, all have greatly enriched the meaning of the writing. Regardless of the large number, or the significance to the era, this aspect is unique and worth mentioned in the Yuan Dynasty literature. This dissertation focuses on how the mongolian lark was portrayed in the Yuan poetry and being comprehended. Further understanding is focused on how cultural images of Mongolian lark were being shaped, the differences and relevance in poems on the subject, musical poems, and poems on paintings during Yuan Dynasty. This project aim at being able to identify the profound features and significance of writing regarding the Mongolian lark.

元詩; 白翎雀母題; 白翎雀書寫; 白翎雀曲; 音樂詩

the Yuan poetry; the motif of the mongolian lark; writing about the mongolian lark; mongolian lark music; musical poetry