人的移動不僅串連城市與鄉村，同時也賦予城鄉彼此不同的價值 判斷。而一九五○、六○年代臺語流行歌的「都市書寫」，便是在「城 市」與「鄉村」的對比中突顯∕互顯了人們對於兩者的態度與價值判 定。經由討論，我們可以發現五○、六○年代臺語流行歌的「都市書 寫」已經相當多元豐富，不僅表達離鄉人生的悲苦與哀愁，以及對都市 的疏離與批判；也讓我們看到人們對於都市的嚮往與熱愛，留下不少書 寫都市景象的作品。這種情形顯示：不必透過不同世代之間的比較，同 一個世代本身就存在著對於都市的不同看法，表現出對都市生活適應的 差別，同一個族群或是世代由此展現出多元複雜的面貌。所謂「飢者歌 其食、勞者歌其事」，歌曲不僅具體而微地反映社會現象，也表達了對 於小人物及現實的情感與關懷。這種藉由歌曲所傳達出來的時代心聲、 社會現象，也同樣值得我們深入觀察與思索。而這些歌曲也繼續為人們 傳唱不輟，成為重要的社會文化資產。

Moving of people not only connects city and country but also judge of city and country. Taiwanese songs during the 1950s and 1960s reflect people’s attitudes and valuations about city and country. There are many abundant meanings of Taiwanese songs during the 1950s and 1960s. These songs express the nostalgias and alienation of stragglers. At the same time, some people have a passion and yearning for city life, and leave many compositions of city writing. Then, the same generation has different viewpoints and adaptability of city. That is to say, the same generation or group has abundant features itself. These songs not only miniature social phenomenons but also represent attention with the nobodies. There are many plentiful meanings of Taiwanese songs during the 1950s and 1960s. People will sing those songs forever. Taiwanese songs are important social and cultural assets.

臺語歌曲；都市書寫；城鄉差距；排斥與認同

Taiwanese songs；city writing；discrepancy between city and country；exclude and recognize