史特拉文斯基一生創作之特質主要展現在舞蹈的律動及多重的音樂織度上，此種特有的風格事實上與他對古老的俄國民間音樂素材之發現密切相關，其影響不僅在旋律素材上，更在史特拉文斯基音樂中最豐富多變的節奏組合與多重的調性、節拍、和聲音響與組織關係上。本文即從這兩方面探討俄國民間多聲部即興歌唱和史特拉文斯基之音樂語彙之關係。

Stravinsky’s composition is most characterized by the rhythmic motion and the stratification of the music texture. The combination of irregularly repeated rhythmic formula and stratification of text, tonality, melody and meter results in one of the most complicated scores. Yet it appears that the way Stravinsky used these means is very similar to their use in the folk practice. His remarkable intuition towards folk practice allowed him to use essential features of the Russian folk tradition freely, which has impact on the melody element, variable rhythmic combinations and poly-layered texture of his composition.

史特拉文斯基；俄國民間婚禮哀歌；複音歌唱；複調性；複節拍； 多重結構

Stravinsky；Russian folk wedding lament ；polyphonic singing；polytonality ； polyrhythm；poly-layered texture