臺灣歷經不同階段的政權，身處其中的臺灣傳統文人處境及應世之路 的研究，常為學界所重視。張達修（1906-1983）為跨越日治、民國兩代的 傳統文人，學界對其創作藝術的研究已展現成果，然與宗教文化相關之論 述至今未有論者。張達修為許多廟宇寫楹聯、沿革志，對宗教採取開放的 態度，不論佛教、道教、神社、鸞堂等信仰皆有作品傳世，本文特重鸞堂 相關書寫，梳理其接觸及寫作的因緣，闡述張達修承繼家族、師長的漢學 淵源，成為具有儒家意識的漢儒，肩負啓迪民智的教化使命，並且在飛鸞 教化的傳承中得到抒發與實踐的出口。

Taiwan has experienced different stages of power. The study of the situation of Taiwanese traditional literati and the way to take the exams are often valued by academics. Zhang Da-xiou （1906-1983） was a traditional literati who spans the Japanese colony and the Republic of China. Academia’s research on his creative art has shown achievement. However, the presuppositions related to the religious culture have not been discussed. Zhang Da-xiou wrote couplets for many temples and continued the history and development record of the temples. He took an open attitude towards religion, regardless of the beliefs of Buddhism, Taoism, shrines, phoenix halls, etc. All works have been handed down. This article focuses on the writing of phoenix halls and sorts out the causes of contact and writing. Also, explaining the Sinology origins of Zhang Da-xiou's succession to his family and teachers, which made him a Chinese Confucianism who was filled with Confucian consciousness and assumed the responsibility of enlightening the mission of education. And got the export of expression and practice in the inheritance of Flying Phoenix culture.

張達修；儒學；教化；飛鸞；鸞堂

Zhang Da-xiou；Confucianism；Enlightenment；Flying Phoenix, Phoenix Halls