象徵技巧在現代詩中，並非準確指向一個明確的目標，必須透過情境的烘托；語句的鋪陳不斷修正才能讓讀者接近作者所想。本研究選擇在現代詩壇裡，具代表性之中生代學院派詩人楊佳嫻的作品，以精讀的方式分別分析其四本詩集中的詩作。透過詳細的剖析，明確提出象徵主義在現代詩的四個面向「音樂性」；「圖像性」；「結構性」；「思想性」的影響，並整理意象使用中分為情境；物體；意念；舉動四類。本文試圖藉由以上分析，梳理出現代詩中的象徵手法運用，進而提供現代詩創作者與研究者有更多發展的可能。

In modern poetry, a symbol does not precisely point to a clear object. It must be set through the context and atmosphere of sentences to bring readers closer to the author's thinking. This research takes 'closed-reading' to analyze the text. Through Yang Chia-Hsien's poems, we refreshed four aspects of modern poetry-musical, graphical, structural and ideological expressions. The study attempted to clarify how poets utilize the symbol and how it works in modern poetry. Taking Yang Chia-Hsien's poems as example, it was found that situation, object, sensation and action have high frequency of poetic use.

現代詩；象徵；楊佳嫻；譬喻；期待視野

Modern poetry; Symbol; Yang Chia-Hsien; metaphor; horizon of expectation