本文是以清代書法家何紹基為討論對象，由其書論與實際之書法作品，以觀其書法理論和實際創作品之間如何相互印證，甚至於衝突矛盾之處。並觀察整個清代對於書法的美學要求，其審美要件在於新興的北碑，和傳統篆隸之間折衝。

This paper discusses the theory and practice of Hei Sau-Chis's calligraphy. By investigating the relationship and contradiction between his theory and practice, an aesthetic principle of calligraphy in the Ching dynasty can be seen: a compromise of the emerging theories of the North and the traditional ones of the South.

北碑南帖、篆分古法、中鋒筆法

calligraphy, theories of the North, theorism of the South aesthetic principles of calligraphy