本文從郭茂倩《樂府詩集》「雜歌謠詞」一類將「謠讖繫其末」的現象論起，認為這是乃因為謠非器樂最近天然，近天然則時露天機，時有讖驗在其中，是以謠與讖往往連而連之。再則謠又可解為行歌，行歌便於流傳，甚至形成「謠言」。漢代重視「謠言」，並落實到制度層面的觀風採謠。傳世的漢代謠辭可大別為讖言與美刺兩類，正體現了觀風俗、知得失的現象，有興觀群怨的精神存在期間，至於漢代謠辭文體形式的多元化又具有文學史上的意義。

In this paper, I'd like to research the phenomena of “Witchcraft ties on the edn of the popular songs” from the “popular songs” of “Collections of Yue-fu poems” edited by Mao-qian Guo.(郭茂倩．《樂府詩集》) Witchcrafts like popular or folk songs and there're always deep meanings within the lyrics. Especially in the Han Dynasty, they could be separated into two parts: admiration, blame and irony. We can find out many spirits that were suitable for Confucianism. As to the multi-forms of genre also got historical meanings.

樂府詩集、謠讖、讖言、美刺、文體

“Collectons of Yue-fu Poems”, witchcraft, admoration, blame and irony, genre