「巴蜀」自古以來即是文風鼎盛之地，也是神話仙鄉與宗教聖域，箇中自有豐富的文化意涵。尤其至唐代安史亂後，「巴蜀」不只是絕佳的避難之所，它也成為文人心靈追求的寄託之處。本文擬就地域空間、文學傳統、政治現實及社會問題等角度，以探究「巴蜀意象」之文化意涵，期能探知〈離魂記〉的男女主角王宙與倩娘又透過怎樣的「歸鄉」意識來鋪陳人倫情義的圓滿。在此魂歸家園，一方面透露著回到現世價值，另一方面此一最終的回歸意識，除了是解決生命幻象的最終途徑之外，更是他兩人在巴蜀五年，生有二子之生命力及心靈追尋的體悟中，所呈現的「真俗不二」、整體成全之圓融智慧。由此可知：從巴蜀再度魂歸故居，其意義極為重大，其中不僅傳達出主角個人情愛的完成，也能從容面對人倫大義，更有著情義雙全的圓滿。因此，情愛烏托邦追尋之所，何以特別選擇巴蜀作為生命的重要關口，而後使還魂之舉成功地展現圓融意義，終能安頓真我之生命，也能開展真實人生之價值，此中「巴蜀意象」之豐富意涵亦由此而能得以充分彰顯。

As a literary and religious area in classic literature, Ba-shu has long attracted abundant comprehensions in it. It is not only a great place for creating the best literatures, but for settling down many literati's mind. In this paper, the author would like to survey the metaphor on spatial of "image on Ba-shu" in "Li-hun ji"(A story of Supersensible Escape). The actor and actress' return home means the completion of their purposes of life and the expansion of their understandings of life. By the search of romantic utopia and their return home, they finally experience their real life. And only in this point, the comprehension of "image on Ba-shu" is worthy of reviewing.

巴蜀意象、空間隱喻、情愛烏托邦、歸鄉意識、真俗不二

‘image on Ba-shu’, the metaphoron spatial, romantic utopia, phisical and mental world are one, return Home