宋以後，中國文學批評發生了許多新的變化，產生了許多新的專用術語與範疇。「局」（又稱「局段」）範疇在詩文、戲曲和小說批評中的廣泛運用就是一個顯例。它主要用來指稱作品各部分的銜接與勾連，以此為基礎，造成了類如「氣局」、「機局」等一系列後序名言，以及相關理論的逐次展開，在在凸顯了尊體的趣尚下，古代文學的程式化特徵和古代文學批評所特有的「漢語性」，對瞭解價值定位與基本訴求已大體確定的「後經典時代」，中國文學的發展線索與內在機理，具有重要的意義。

We have many new literary terms and categories with the transformation of literary criticism since Song Dynasty. Ju (局) or Juduan (局段) is a noticeable category, which widely be used in criticism on verse and prose, drama, and novel. This category actually refers to the close relationship and linking between the different parts of a literary work, There then comes a series of categories based on it, such as Qiju (氣局) and Jiju (機局), these categories shows the characteristic of pattern in classical literature, and the “Chinese identity” of classical literary criticism. We will have better understanding through these categories on the literary evolution and its mechanism in the time of “post-classical” literature, when the standards of literary value have already been established.

局段、結構、中國文學批評

Juduan, structure, chinese literary criticism