從形式主義、英美新批評以來的文體學派注意語言在文學中所扮演的角色，透過語言來探索文學之美。形式主義提出「前景化」概念，認為研究文學語言應側重偏離常規的語言。英國利奇與蕭特將前景化手法落實為「質偏離」與「量偏離」。韓禮德進一步指出「偏離」造成的突出需是「有動因的突出」，才能達到前景化。本文以文體學的路徑與概念探討宅女小紅作品的語言風格。近些年小紅的作品受到網友與報社青睞，搖身一變成為當紅新銳作家。令人好奇的是她的語言究竟有何魅力？根據本文研究，發現小紅善用多重的語言手法，如語碼轉換、豐富的體勢語、新奇的搭配組合、冗長複雜的語法結構等等，營造多種偏離，突出寫作意圖，形成前景化，形塑成語言風格。這些手法密集貫串每篇文章，具普遍性，尤其偏好複雜長定語的冗長句，有別於網路文學語言的趨簡傾向。整體看來，小紅的語言生動活潑，看似直白平淡，實蘊含著驚奇，帶著一抹小紅式的幽默與興味。

Stylistics, which emerged fromthe schools of Formalism and New Criticism, studies the role in literature played by language, exploring the aesthetics of literature by means of language. The concept of ＂foregrounding＂ proposed by Formalists considers that researchers of literary language should lay particular emphasis on language deviation. Leech and Short expanded the technique of foregrounding into two types: qualitative deviation and quantitative deviation. Halliday followed with the belief that the prominence caused by deviation must be ＂motivated prominence＂ in order to achieve foregrounding. This paper will employ the theories of stylistics to explore the works of Siao Hong. Over the last few years, the works of Jhai Nyu Siao Hong have garnered the interest of both Internet readers and the media, resulting in the writer becoming quite popular. What sparks the readers' curiosity is the question of what it is that makes her language so fascinating. Although the subject matter of each article differs, it is still possible to perceive two intentions of the writing which runs throughout the works, namely personalized spoken language and self-revelation. Siao Hong is adept at using diverse methods, such as code switching, many kinds of body language, novel combinations, and long and complicated grammatical constructions, to create various kinds of deviation and prominent writing intention, achieving the result of foregrounding and forming her own language style. In particular, there is a marked difference in her preference for lengthy sentences in comparison to the simplicity of the language in Internet literature.

前景化、偏離、語言風格、宅女小紅、文體學

foregrounding, deviation, language style, Jhai Nyu Siao Hong, stylistics