本文以鄭經《東壁樓集》為中心，嘗試闡發其書寫策略與自我形象，及其游離在遺民／嗣王雙重身份間，所開展出的對話與多義性。藉此觀察鄭經如何在離散的狀態，在帝國與島嶼的縫隙中，以種種儒學詩藝及策略式書寫，尋求個人的文學、歷史定位。當詩歌文本成為解讀與詮釋自我形象的場域—位居帝國邊緣的遺民／嗣王鄭經，正通過中原（中國）與島嶼（臺灣）的相互依存，巧妙建立起自我的主體性與表述空間。

This study centers on “Dong Bi Lo Ji” by Zheng Jing, the son of Zheng Cheng-kung, who ruled Taiwan in the Ming-Qing transition. By analyzing Zheng Jing’s writing strategies, the symbolisms and the images of the verses, we can see how he positions himself through his dual identities—“diaspora” of the Ming Dynasty that formally ceased to exist in China in 1644 and the “ruler” of the island of Taiwan. Struck between diaspora as a political reality and as a state of mind, Zheng uses beliefs of Confucianism and diverse writing strategies to lead readers into his literary world. He tries to find his own position in literature and history, and eventually liberates from his own subjectivity. Through the interdependent relationship between the central plains (China) and the island (Taiwan), Zheng Jing successfully dissociate as a Ming loyalist and a ruler in Taiwan.

鄭經、《東壁樓集》、離散、遺民、在地性

Zheng Jing, “Dong Bi Lo Ji”, Diaspora, Loyalist, Locality