為講明《莊子》「化則無常」、「化而不固」的永未完成之「人學」內涵，本文嘗 試從「天人關係」、「人我關係」、「物我關係」之三緯交織，來描述《莊子》那「主 體不斷主體化」、「自我不斷生成化」的「遊化主體」之人學畫像。《莊子》人學的主 體性內涵，只有當它走出自我而朝向世界而敞開時，它才啟動了「我化故我在」的豐富 內容。而這種人與天、人與人、人與物「並生為一」的人學畫像，也將處處彰顯出共生 哲學的倫理內涵。

In order to disclose the content of Zhuangzi’s 莊子 endless and unfinished image of the human, this article analyzes three interweaving dimensions: the relationship between heaven and humans, the relationship between humans and humans, and the relationship between things and humans. Through the discussion of these three dimensions, I hope to draw an image of the human from Zhuangzi’s view which shows wandering and transformative subjectivity. This means that subjectivity always keeps subjectifying itself and never stops transforming. From Zhuangzi’s perspective, when humans open themselves toward the world, they then trigger the transformative engine and enter endless existence. The depiction of the whole picture of the human through these three relationships can also reveal the ethical meaning of co-existence in Zhuangzi’s philosophy.

《莊子》; 天; 人; 物; 化; 共生

Zhuangzi 莊子; heavens; human; things; transformation; co-existence